Kino-Eye

The most scrupulous examination does not reveal a single film, a single artistic experiment, properly directed to the emancipation of the camera, which is reduced to a state of pitiable slavery, of subordination to the imperfections and the shortsightedness of the human eye. (14)

We therefore take as the point of departure the use of the camera as a kino-eye, more perfect than the human eye, for the exploration  of the chaos of visual phenomena that fills space. (15)

I am kino-eye. I am a builder. (17)

I, a machine, show you the world as only I can see it. (17)